SAGA is drawing attention to an industry in crisis, with 78% of women working in film and TV saying they are discriminated against because of their gender.
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South Africa and other countries are currently considering proposals to convert from a “fair dealing” to a “fair use” user rights system. Some critics of the change fill their arguments with hyperbole without describing the facts about what is really at stake.
Through various channels, SAGA has been lobbying government and the Department of Trade and Industry (DTI) to effect changes to the existing Performers Protection Act, which dates back to 1967 and which fails to protect the rights of actors in today’s environment.
The notion of Financial Planning has many of us freelancers burying our heads in the sand. And for good reason; our income is erratic at best and our job security is nonexistent. As independent contractors we enjoy none of those safety-nets afforded the regular nine-to-fivers: pension fund; paid leave, including sick-leave; unemployment insurance; medical aid and access to workman’s compensation and, for those fortunate enough in these tough economic times, an annual bonus. No, we’re independent contractors, we’re free agents.
The Copyright Amendment Bill and the Performers Protection Amendment Bill are drafted so that actors will never again be forced to sign away all their rights in exchange for a meagre daily performance fee. Never again will actors be mocked and told to ‘either take it or leave it’. The Bills stand for industry transformation and they have alrea
Being ‘between jobs’ has long been a euphemism for ‘unemployment’ but, is a freelance actor ever in fact ‘employed’? In, at any rate, even when an actor is working, he or she is not employed, but rather ‘contracted’. You see, actors are considered to be ‘Independent Contractors’: in other words, to be ‘self employed’. Aye, there’s the rub.
The South African Guild of Actors hosted a series of conferences in Johannesburg and Cape Town aimed at strengthening actors’ rights to decent working conditions and fair compensation.
“Has anyone had a call from the Taxman to say you owe him money?” An awkward murmur rumbles through the gathering, but no-one’s putting up their hand.
“Not?” Still, there are no volunteers.
When the long-running soap-opera ‘Generations’ went off air, the 16 actors at the centre of the storm filed papers with the CCMA, challenging their dismissal. The first question the Commission for Conciliation, Mediation and Arbitration had to answer is whether or not it has jurisdiction at all in the matter: are the actors ‘employees’ as defined in the labour legislation, or are they in fact common law ‘independent contractors’.